Career path

Natural Drawing
Serge Goldwicht
Natural Drawing

Important events

ART
1977 to 1979 Permanent exhibition at the Lens Fine Art Gallery (Antwerp).

1979 Personal exhibition: Thora, the Détour Gallery (Jambes).

1990 to 1993 Frequent collaboration with the Michel Luneau Gallery.
Personal exhibition, Thoras in Brussels and Nantes.

1993 Thematic exhibition: Le rideau de théâtre (The theatre curtain), Vieux Colombier Theatre – Paris)

1995 Personal exhibition at the Pascal Polar Gallery. (Vase ou creuset?) (Vase or crucible?) (Brussels).

1997 Group exhibition at the Pascal Retelet Gallery (Saint-Paul de Vence,France).

2000 Personal exhibition at the Ben Durant Gallery (Brussels):
“KUNST MACHT FREI”

2002 Group exhibition (transfert d’objets) (transfer of objects) Art SIX Commissariat:
M.Schreurs, (Flying Cow, Bruxelles).

2004 Personal exhibitions (Reportages autopictographiques) (Autopictographic reports)
at the Pascal Polar Gallery (Brussels).

2005 Personal exhibition (B.Terra Incognita) at the Maison de la Culture in Tournai.

2006 Performance event: (“MANIFESTEMENT” Group) For the return of Belgium to the Congo

2007 Performance event (“MANIFESTEMENT” Group): (Non, islamisme n’est pas le seul mot qui a mal tourney…) (No, Islamism is not the only word which has turned bad)
2008 : Underdrawing : personal exhibition at the Spontaneous Art Museum in Schaerbeek.
: Personal exhibition at the RODE 7, Antwerp
2011: Shameless memories: Farmer Synagogue Avat Reim ( Brussels)
http://www.telebruxelles.be/portail/emissions/les-journaux/le-journal/13...

PUBLICATIONS

1980: Book: "Comment la vision devint une fable (How vision became a fable)" (published by La Soif étanche, Liège).
Publication of texts/illustrations in various journals (Arche, Revue et Corrigée - Brussels), Jardins(Liège), Traverse, ed. de minuit (Paris).

"La production du ratage ou le désir discret de la tragique entreprise
(The production of failure or the discrete desire of a tragic venture )"
(published by La Soif étanche – Liège)

1982: Fiction in "La Belgique Malgré Tout" (Belgium in spite of everything) – directed by J. Sojcher (Brussels University Press.)

1990: "Du Sens dans l’utile (Meaning in usefulness)" Co-author with Françoise Darmon
published by Du Chène (Paris).

1995: Design and production of a collective book: "Typographie – Conception de "Histoire de marques
(Typography – Designing the History of Brands)", published by L’Echo (Brussels).

2004: Contribution in the form of a pictogram in D. 175, published by Delvaux (Brussels).

2006: Contibution: Peut-on dessiner son récit de vie ? (Can one’s life story be drawn ?) “Revue Je”
(published by Encre et Couleurs, Charleroi)
2008: Cover design creation and illustrations :”l’école à brûler” (the school to burn down) by Daniel Simon.
Published by Couleurs livres, Charleroi.

DESIGN

1980-1988: Furnishing and decorative art specialist with the Expert Bureau Job.

1989-1992: Creative Director at the Cristalleries du Val St-Lambert . Creation and collaboration with Borek Sipek, Léo Copers,
Martin Szekely, Richard Meitner, Philippe Starck.
Artistic designer for the contemporary aspect of the exhibition: Val Saint-Lambert, art and design. BBL, place royale
(Brussels).

1992-2000: Design consultant for clients including Danone, Delvaux, Dow Corning, Fondation Roi Baudouin, Monsanto, Solvay, etc.)

1996-2003: Design and decorative art consultant for the company Galeries Royales Saint- Hubert (Brussels)
Walkway design under the Galerie de la Reine (Brussels).
Design creation for the Vaudeville theatre (Brussels).

Prize and awards

1981: Awarded the prize for best young Belgian painter.
1982: "Europe" Prize in Ostende (Bronze medal winner).
1991, 1992, 1993: Awards holder from the Creative Club of Belgium and Art Director of Europe in typography and art management.
2004: Caïus in the category "Heritage in Brussels” for the renovation of the Vaudeville theatre and its underground rooms.
This prize was awarded for the company Galeries Royales Saint-Hubert.

Since 2004, on the basis of his self-created autopictography method, he has led natural drawing workshops both for the public sector (French Community in Belgium (training programmes), Culture Department in the Namur Province, Brussels Spontaneous Art Museum, Education Council for Towns and Provinces, and local schools in Schaerbeek) as well as the private sector (AXA, Delvaux, YPO, Lunbeck, Randstad).